It's very well known that once John and Yoko got together and became inseparable, Yoko was a constant presence in the studio while The Beatles were making music. Paul, George, and Ringo weren't exactly thrilled with this new thing John was doing - the recording studio was their sanctuary. It was one thing with George Martin, Geoff Emerick, Brian Epstein, Neil Aspinall, and Mal Evans were looming around (after all, they were working!) but having someone sit there, day after day, barely doing anything (to her credit, Yoko did bring along an "activity bag" to keep herself occupied when boredom comes). Prior to Yoko's presence, the wives and girlfriends have visited the studio. Maybe the whole day happened rarely. I would say both Linda and Pattie came the most, followed by Maureen, then Cynthia, and finally Jane when no working commitments. If there by chance, they would sing backing vocals. I mentioned in my previous post The Hidden Singer of the Lennons that Cynthia sang backup on Yellow Submarine; unfortunately at the time I didn't find this particular quote I had wanted to use. The great news is I have recently found the quote from the article I was looking for... 7 years later since I last wrote about Cynthia singing. As well as some more additional quotes and information while I am on the subject. Better late than never. 
In May of 1972, Cynthia apparently was willing to have a singing career while married to Roberto Bassanini at the time. In media reports then, it was rumored that John was willing to produce her album.... obviously not. I'm sure Cynthia was willing to put herself out there as a singer, but that dream went nowhere for a little over 20 years. However, while married to John Twist and running Oliver's Twist, Cynthia dabbled in songwriting with Angie McCartney playing the piano. I believe that was more of a lark than serious business. Fast forward to the 1990s when Cynthia was soon approached to record a single:
"It was a German record company trying to poach my son Julian for their label. I was just telling them I couldn't help when Jim told them I would be willing to make a record. At first it all seemed a bit of a joke. I had only sung once before, and that was just in the backing vocals for Yellow Submarine."
Cynthia, 1995
"I was a good friend of Mary and was present when the song was recorded. I always thought the song was for an older woman and I hope I do it justice."
Cynthia, 1995
Hmm, that sounded puzzling - the song was recorded by Mary on July 28, 1968 and was produced by Paul McCartney. By then John and Cynthia had already broken up and John was running around with Yoko. Unless Paul invited Cynthia to Abbey Road Studios to watch the sessions, I don't think so. Yet, then again, I wasn't there, Cynthia was. Anyway, let's continue on:
"I was a little surprised when I heard that Cynthia had recorded the song. But I wish her all the best."
Mary Hopkin, 1995
"It was so exciting to be doing what I had watched others do for years. I spent so much time in the studio in the early Beatles days and even sang in the chorus of Yellow Submarine. Now singing is something for me. I know there will be all kinds of criticism, but at this stage in my life I don't care. I don't seriously imagine I will be a pop star, but its not bad for someone who hasn't sung properly since she was in a church choir aged 13."
Cynthia, 1995
Ringo Starr, Neil Aspinall, and Cynthia arriving at EMI/Abbey Road Studios on August 11, 1964.
I don't know exactly when Cynthia first visited EMI/Abbey Road Studios - it certainly wasn't before February of 1964 because Cynthia didn't meet George Martin until they were both in Miami, so it's safe to know that after the first US visit, Cynthia started visiting her husband working on new songs in a recording studio. I don't know if she visited during A Hard Day's Night, but definitely Beatles For Sale.
Cynthia was present when The Beatles worked on Baby's In Black on August 11, 1964. The following year, Cynthia took John's sisters, Julia and Jacqui, to watch The Beatles record Day Tripper (on October 16, 1965) and We Can Work It Out (recorded on October 20, 1965) during their visit from Liverpool.
"While John and the boys got to work in the studio, Jacqui, Cynthia, and I were shown into the control room. We were joined by producer George Martin and his chief engineer Normal Smith who had been out on the floor making last-minute adjustments to the amps and microphones."
Julia Baird (John Lennon My Brother, 1985)
On June 1, 1966, Cynthia, along with Mal Evans, Neil Aspinall, George Martin, Geoff Emerick, Pattie Harrison, Brian Jones, Marianne Faithfull, and Alf Bicknell, sang backup vocals on Yellow Submarine. Unfortunately, Cynthia is often overlooked on credit while everyone else got named but according to both herself and Pattie, Cynthia did indeed sang backup (and I believe them) as I posted earlier.
In December of 1966, Pete Shotton came to Weybridge to surprise John, but he wasn't home. Cynthia told Pete John was still at the recording studio, recording Sgt. Pepper. Pete decided to surprise John there and, despite his unfamiliarity getting around London, Cynthia provided him with excellent directions. During the recording of Sgt. Pepper's Lonely Hearts Club Band, Cynthia accompanied Mike and Phyllis Nesmith to EMI/Abbey Road Studios to watch The Beatles and an orchestra worked on A Day in the Life (already posted on
Hey, Hey, With The Monkees on February 10, 1967.
Cynthia and John leaving the recording studio on March 3, 1967
Photographed by Denise Werneck
On March 3, 1967, The Beatles started work at 7 PM on the brass section of Sgt. Pepper’s Lonely Hearts Club Band and the basic track of Lucy In The Sky With Diamonds. The session ended at 2:15 AM. Cynthia was there and was seen wearing John's black cape when leaving.
Tony Barrow, Judith Sims (editor of Teen Set magazine), Terry Doran, and Cynthia sitting on the sidelines while The Beatles worked on March 29, 1967
Photographed by Leslie Bryce
John and Cynthia leaving EMI/Abbey Road Studios in the early hours of March 30, 1967
On March 29, 1967, The Beatles worked on Good Morning Good Morning, Being For The Benefit Of Mr Kite!, and With A Little Help From My Friends. Judith Sims reported that Cynthia had recently dyed her hair as ash blonde. Session end times varied: some say 2:45 AM and others say 5:45 AM.
"Yoko being in the studio a lot was a new thing. It was all new. We're very Northern: the wives stayed at home and we went to work - we dug coal and they cooked dinner. It was one of those flat-cap attitudes which we were losing by then. I think if Maureen came to the studio 5 or 6 times that would be about it, and in all the years Pattie came several times at the most. I don't remember Cynthia coming much when she was married to John. It was just something that didn't happen. And suddenly we had Yoko in bed in the studio."
Ringo Starr
